Annabelle Scaddan

Gothink is unique set of fonts having 10 weight variation and 4 styles. It also contain shadow, outline, aged, and rough types. This is luxury font family for some modern look as well as give you full range of some other option with outline and aged series. That is crafted carefully and would love to see on you new projects. There are 47 fonts in great price. You will never regret to buy that. enjoy the flavored modern and retro styled font series..

Solomonk is a hand-drawn script with extended Latin. All European languages are supported. Basic alphabet has alternates. Solomonk can be connected and disconnected (just choose the proper symbol from glyphs panel).

From the incredible well of creativity that is Maybelle Imasa-Stukuls we bring you Specimen V. A quirky serif family paired with natural history inspired illustrations.

OBSERVATIONS

Specimen V is a hand-drawn font, inspired by classic serifs. Created with all the quirks and charm you’d expect from Maybelle Imasa-Stukuls. The sky’s the limit with this nimble font.

DEFINING CHARACTERISTICS

Specimen V comes in a 3 variation family—standard, perfectly imperfect and smooth. Opentype programming and old style numerals. The family includes a set of 13 natural history inspired vector illustrations + hi-res pngs, created by our in-house Rare Bird illustrators.

POTENTIAL SIGHTINGS

You’ll catch glimpses of Specimen V on the playground, in that cute new neighborhood boutique, in your local bookseller, and on your most eccentric uncle’s wedding invites. Only the most charming of applications will do.

Salom was designed by Austrian type designer Igor Labudovic during his year at Reading University. Besides Latin, it
originally included Arabic and Hebrew. The peaceful coexistence of both writing systems in his fonts led him to combine
the words Salaam and Shalom to the font family name.

Salom’s sibling, Salom Sans, features the same letter proportions and therefore allows a rich spectrum of diverse typography, yet keeping the harmony between all styles. The sans has an additional light weight, while the serif comes with an expressive stencil style.

‘Obvia’ appeared as a result of direct observation on typefaces classified as geometric and the plan to explore for the first time width axes Condensed, Narrow (soon), Normal and new Wide and Expanded. The idea behind ‘Obvia’s design was to create a distancing from geometrically pure shapes, in this case, square shapes. Then some details were added, such as subtle inktraps, concave endings of the stems and carefully drawn alternate characters, giving a ‘geohumanist’ tone to the font. This first family of ‘Obvia’ has 9 weights ranging from Thin to Black, delivering a strong typographic identity, from the paper to the pixel.