Annabelle Scaddan

Salom was designed by Austrian type designer Igor Labudovic during his year at Reading University. Besides Latin, it
originally included Arabic and Hebrew. The peaceful coexistence of both writing systems in his fonts led him to combine
the words Salaam and Shalom to the font family name.

Salom’s sibling, Salom Sans, features the same letter proportions and therefore allows a rich spectrum of diverse typography, yet keeping the harmony between all styles. The sans has an additional light weight, while the serif comes with an expressive stencil style.

This one may look rather strange at a first sight, but it has the true power of coolify written pieces. (Please don’t use it to say “Attorneys’s Conference”, nor “Annual Statement of Accounts”, unless you mean them to be cool, which is very unlikely.)

Melodia has 3 glyph drawings for each uppercase letter, 3 more for each lowercase and 2 for the numerals. There are even alternates for punctuation, go figure: there are 3 commas and 3 periods.

To activate the automatic cycling of all these alternates, simply turn on the Contextual Alternates feature in your application.

And it doesn’t hurt to remind: use it only on cool stuff.

Clarize is an elegant high contrast serif fonts family, with the best features of the Didone style.

Designed with consideration for more functionality with smooth details and a touch of modern and luxury, this font is perfect for designers who are developing in the field of books, fashion, magazine, blog, advertising, packaging, branding, etc.

The family includes 10 styles: five weights from Light to Black Multilingual Languages. Clarize includes Ligature and discretionary “ct” and “st” that can be accessed via an access feature.

Mora Serif is a part of Mora superfamily, a unispace system where all styles across serif and sans have exactly the same proportions. This means it is impossible to break the text by changing type style.

The project started as an exploration restricted by fixed metrics. As a result we have serif and sans families accompanied by true italics all based on the same proportions.

Mora has large x-height, generous spacing and robust feeling. It is perfect for both print and screen, when you need predictability in editing.

Every style contains opentype features like: small caps, old style and lining figures, tabular and proportional figures, set of ligatures, fractions and case sensitive characters.

TT Barrels is an elegant scotch style modern serif with strong industrial accents in its design. The TT Barrels project was born from a fictional technical assignment in which we tried to combine the technological effectiveness of industrial production used in engineering and the restrictions imposed by it with a beautiful scotch style serif. We decided to create a typeface that could be used to press letters on the metal body of a car, all while the typeface being elegant, and possessing sophisticated details that are typical of the classic text fonts of the late 19th and early 20th centuries.

In the process of designing and sketching, we reconsidered certain aspects and abandoned some of the requirements imposed by the technology of metal letter pressing, for example, from the extensive application of visual compensators, the decreased strokes contrast, and the hyperdeformation of individual letter elements to preserve a more pronounced rhythm of these elements. First of all, we wanted both to maintain the ease of reading for the entire text array and follow the rules of aesthetics of each letter in the typeface, while still leaving some influence of industrialism. In the end, this influence is best manifested in serifs, which are quite massive and have a technologically exaggerated wedge shape.

TT Barrels consists of 12 fonts: Light, Regular, DemiBold, Bold, Extrabold, Black and the corresponding Italics. Each outline consists of more than 750 glyphs and includes small capitals, ligatures (for Latin and Cyrillic alphabets), stylistic alternates, old-style figures, and many other useful features. The full list of OpenType features: ordn, c2sc, smcp, case, frac, sinf, sups, numr, dnom, tnum, onum, lnum, pnum, dlig, liga, calt, salt (ss01).

Spencer is a calligraphic semi-serif type family that has been carefully designed to provide easily distinguishable letterforms that are practical in use, as well as aesthetically appealing. It’s natural and organic forms comes from a deep consideration of the efficiency of the visible word and provides the typeface with a distinct and unique voice.



Named after Herbert Spencer, an educator and researcher of legibility at the Royal College of Art in the sixties and seventies, and influenced by other early typographers and legibility researchers, such as Walter Tracy and John Harris. Spencer was designed as part of a legibility study by Sofie Beier and Kevin Larson.

Singel is a neoclassical serif with semi-condensed proportions. As a contemporary interpretation, this typeface combines the rationalist modulated stroke with an elegant silhouette and crisp serifs. The altogether splendid appearance of Singel, completed with a full set of Small Capitals and true form of italics makes it perfect for any luxurious and graceful design. Other aspects of its characteristics include the consistency of 10 styles from Light to Bold; a coverage of Extended Latin and Cyrillic with span for more than 130 languages; a flawless functionality and support of many OpenType features, such as localizations, tabular numerals, inferiors and superiors, numerators & denominators, fractions, case sensitivity etc.

Features:

• Over 900 glyphs in 10 styles (Light to Bold);

• Extended Latin and Cyrillic for more than 130 languages;

• Tall x-height and Semi-Condensed proportions;

• High contrast and modulated stroke with vertical stress;

• Neoclassical characteristics and moderate apertures;

• Full set of Small Capitals;

• True form of italics;

• Coverage of multiple OpenType features;

• Suitable for wide design purposes.

NCT Larkspur consists of 12 main styles and 6 small cap styles. It supports all major European languages, Vietnamese, and multiple languages in the Cyrillic script. All styles have the same 1107 glyph character set.

Opentype features include fractions, ordinals, tabular and proportional styles for lining and oldstyle figures, small caps, and case sensitive punctuation.

Separate files with the lowercase replaced with small caps and the default figures replaced with oldstyle figures are ​included​ for people using applications where​ ​​O​pen​Type features don’t work.

If there are characters missing for your project or any other problems, please contact us ​by email at ncttypefoundry@gmail.com or on twitter @nctypographics.

Chartre is a well-proportioned and understatedly elegant font. It is crisp, refined and distinguished. This is a classic that shines in headlines as well as text copy. The Chartre family is ideal for branding, collateral, advertising and packaging design.