Designed by Ricardo Marcin and Erica Jung, Minute is a hand drawn and kids font published by PintassilgoPrints.
Everything will look great in a Minute!
Hell, yes!
Download Minute Fonts by PintassilgoPrints
Download Route Du Soleil Fonts by Hanoded
Designed by David Kerkhoff, Route Du Soleil is a hand drawn and brush script font family.
This typeface has two styles and was published by Hanoded.
Probably everyone living in Europe has heard of the (in)famous Route Du Soleil. The Route Du Soleil (Motorway Of The Sun) is a stretch of road from Paris to Lyon (in the south).
It is THE route holiday makers take to reach southern France, so they can get there before everyone else does.
The result: endless traffic jams, overheated engines and people and more toxic exhaust fumes than your average petroleum distillery.
Route Du Soleil is also a very nice hand written font that comes with swashes and ligatures.
If you happen to find yourself in a traffic jam on your way to southern France, then I hope you have downloaded this font.
Just one look at it and you’ll forget your problems! ;-)
It is THE route holiday makers take to reach southern France, so they can get there before everyone else does.
The result: endless traffic jams, overheated engines and people and more toxic exhaust fumes than your average petroleum distillery.
Route Du Soleil is also a very nice hand written font that comes with swashes and ligatures.
If you happen to find yourself in a traffic jam on your way to southern France, then I hope you have downloaded this font.
Just one look at it and you’ll forget your problems! ;-)
Download Ginger John Fonts by Fenotype
Designed by Emil Bertell, Ginger John is a dingbat and brush script font family. This typeface has four styles and was published by Fenotype.
Ginger John is a strong and expressive sign painting style brush script family with three weights.
Ginger John is equipped with automatic Contextual Alternates and Standard Ligatures that ad variety in the flow and keep connections smooth.
If that isn’t enough there’s Swash, Stylististic and Titling Alternates for every standard uppercase and lowercase character.
Ginger John Extras is a pack of strokes and swashes that can be used as underlining endings for words.
Ginger John is an outstanding display font that works great for any display use from branding to packaging to logotype.
Ginger John is equipped with automatic Contextual Alternates and Standard Ligatures that ad variety in the flow and keep connections smooth.
If that isn’t enough there’s Swash, Stylististic and Titling Alternates for every standard uppercase and lowercase character.
Ginger John Extras is a pack of strokes and swashes that can be used as underlining endings for words.
Ginger John is an outstanding display font that works great for any display use from branding to packaging to logotype.
Download Lunar Piero Fonts by Etewut
Designed by Alex Etewut, Lunar Piero is a hand drawn font family. This typeface has three styles and was published by Etewut.
Lunar is a handwritten sans serif typeface that was created for the opera Pierrot Lunaire during Diaghilev festival 2018 in Perm.
There are 3 fonts in the family of LUNAR: light, regular and bold. It supports all EUROPEAN languages, basic CYRILLIC and GREECE language. It’s enough to make sensation!
There are 3 fonts in the family of LUNAR: light, regular and bold. It supports all EUROPEAN languages, basic CYRILLIC and GREECE language. It’s enough to make sensation!
Download Obvia Fonts by Typefolio Digital Foundry
Designed by Marconi Lima, Obvia is a sans serif font family. This typeface has eighteen styles and was published by Typefolio Digital Foundry.
Obvia, a geohumanist type for all media.
Obvia appeared as a result of direct observation on typefaces classified as geometric and the plan to explore for the first time width axes - to be published soon - expanding its usability.
The idea behind Obvia’s design was to create a distancing from geometrically pure shapes, in this case, square shapes.
Then some details were added, such as subtle inktraps, concave endings of the stems and carefully drawn alternate characters, giving a ‘geohumanist’ tone to the font.
This first family of Obvia has 9 weights ranging from Thin to Black with their respective italics, delivering a strong typographic identity, from the paper to the pixel.
The idea behind Obvia’s design was to create a distancing from geometrically pure shapes, in this case, square shapes.
Then some details were added, such as subtle inktraps, concave endings of the stems and carefully drawn alternate characters, giving a ‘geohumanist’ tone to the font.
This first family of Obvia has 9 weights ranging from Thin to Black with their respective italics, delivering a strong typographic identity, from the paper to the pixel.
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